Scene
The painting shows the artist half-length against a stark background with his body tightly framed and slightly cropped at the edges. His head is turned sharply to the right, fixing the viewer with an intense gaze.
Self-Portrait with Physalis
Egon Schiele
1912
Tags
Craft
Movement
Expressionism
Distorted forms and intense color conveyed inner emotion over realism. Artists rejected naturalistic representation to express psychological tension and modern anxiety.