Expressionism
About
When Feeling Breaks the Surface
By the early 1900s, realism and polite beauty felt too small for modern life. Expressionism flipped the goal: don’t describe the world, distort it until it matches the pressure inside a person. Line, color, and anatomy became tools for honesty, not accuracy.

Self-Portrait with Physalis
Egon Schiele
1912
Artists
Artworks
Death and the Maiden (Schiele)
Egon Schiele
1915
Intensity That Wouldn’t Go Away
Expressionism trained viewers to trust intensity over polish, it proved that form can carry psychological truth. After war and rupture, that lesson returned with new force, artists pushed the human figure into harsher spaces where anxiety, power, and isolation could not be softened.
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Study after Velázquez's Portrait of Pope Innocent X

Francis Bacon
1953